pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
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pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info
pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info
pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info
pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info
pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info
pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info
pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info
pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures
Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.
I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.
The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this
Zoom Info

pickyourheartupoffthefloor:

asylum-art:

 Sophie Kahn Sculptures

Sophie Kahn’s work addresses the resonances of death in the still image. It owes its fragmented aesthetic to the interaction of new and old media, and the collision of the body with imaging technology.

I combine cutting-edge means of reproduction, like 3d laser scanning and 3d printing, with ancient bronze casting techniques. Using damaged 3d data, I create sculptures and video works that resemble de-constructed monuments or memorials.

The precise 3d scanning technology I use was never designed to capture the body, which is always in motion. When confronted with a moving body, it receives conflicting spatial coordinates, generating a 3d ‘motion blur’. From these scans, I create videos or life-sized 3d printed mold sculptures. The resulting sculptures bear the artifacts of all the digital processes they have been though. The scanning and 3d printing process strips color and movement from the body, leaving behind only traces of its form – a scan of the face resembles nothing more than a digital death mask.

i love this

We need the books that affect us like disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us.

FRANZ KAFKA

http://www.advicetowriters.com

(via kadrey)

wyrdwoods:

I believe the Hieros gamos is the prime archetype.  There is a Greek myth that the original people had two heads, four arms, four legs.  Zeus was so afraid of their power he split each into two people.  We now wander the earth looking for our other half.
As above, so below.

wyrdwoods:

I believe the Hieros gamos is the prime archetype.  There is a Greek myth that the original people had two heads, four arms, four legs.  Zeus was so afraid of their power he split each into two people.  We now wander the earth looking for our other half.

As above, so below.